Friday, January 27, 2012

Pretty linens and baubles - a big thank you!



I wanted to send a big thank you out to Andrea Drexelius from French Basketeer  and Metis Linens for sending me this beautiful package of vintage linens and vintage French brass curtain rings that can be used as napkin rings.  I won these lovely items in a giveaway on Karen Albert's blog Art By Karena. The brass rings are incredibly gorgeous and the two linens towels have the most beautiful texture to them, owing to their age and use. Something that cannot be replicated. They are also huge and could nearly be used as small table cloths!



The French Basketeer, in business since 2008, sells authentic French baskets and totes. Their chic totes come in many amazing colors and styles:


They also carry the classic rolling market carts as well, seen in French markets and US Design Centers everywhere. (A side note, a past client of mine sent me one as a gift as I'd mentioned in passing that I wanted one - wasn't that nice?!?)


Metis Linens Boutique, aka Le Magasin de Metis,  is a partnership between Andrea of The French Basketeer and the lovely Laura Ingalls Gunn, interior designer and writer of the blog Decor to Adore. Le Magasin offers French textiles and they "sprinkle in a few fun and flavorful antiques"






If you've not yet heard about blogger Karen Albert of Art by Karena, head on over there now. Karen is one of the blogosphere's most supportive bloggers - supportive of artists and artisans, small business and other bloggers. Her blog offers some of the best giveaways around, which in turn introduces large audiences to artists and small business vendors that we might not otherwise hear of. An artist in her own right, Karen manages to read and comment on about a million blogs a day and always has a kind word for everyone.

Again, thank you to all the ladies above - I love my prize!


If you would like my help on your design project, I would love to chat with you! Please email me. Thanks! Subscribe to ::Surroundings::

Thursday, January 26, 2012

How I'm Using Pinterest for Work and a word for designers and pinners


Ah, the red P for Pinterest. Are you using it?  As the use of this relatively new photo pinboard website started growing, there were more and more tweets in my Twitter stream extolling the virtues of the site, with comments like "I'm addicted to..." and lamentations on the hours spent "pinning" away. I was skeptical. Were people just mindlessly gathering photographic images and for what purpose besides just looking at them? Hmm. Sometimes I'm an early adopter and at other times I decide something is a cult and I don't want to just run along with the herd. Eventually, there was so much chatter and I'd received a fair share of emails about it from various SM connections that I figured it was time to check it out. I tried to create an account, only to be told I would be placed on a waiting list or would need to be invited. What??? How is it everyone was doing it, but it was invite only??? Irritation ensued, followed by an indignant tweet, which of course brought me several invitations. I still don't understand the need to be invited and waiting lists, other than to create buzz, which is probably all that is.


Anyway, I got in and started following people I knew there. And suddenly my inbox was flooded with notifications about who was following me, who pinned what, etc. I did not sign up for more mail, I get enough as it is! I didn't realize the social media nature of the beast, but luckily found that all notifications can be turned off (whew). I played around with it a bit, saw what others were pinning and basically didn't get too excited over it. Until I figured how to make it work for me.


For the return of Downton Abbey on PBS, I decided to resurrect my long time series of "Get that Look" posts. Historically, these involved a lot of searching and saving images and links to resources. With Pinterest, I can simply create a specific pin "board" for the post I am working on and throughout the week as I ran across items that were right for the post, I could pin them to the board and forget about them. The pins link back to the source, which is the first time I've been easily able to track sources outside of copy them into the post directly. What a time saver!

From the Pinterest board, I can easily drag the images off the screen into a document (Apple's Pages program) to create a simple design board on the topic, which I put in my post as seen here. Since all the Pinterest images link back to their sources, I can simply direct readers to the pins and from there the sources and photo credits. Please note that I do watermark my board with my website (bottom right) so it always comes back to me in some way.


I write several articles a month freelance for the website www.Networx.com. Many of my pieces are called "Designer's Picks" where I select a bunch of products within a theme and describe them.  Pinterest has revolutionized this process for me. An article published today illustrates this well. The above image is my board specific to the recent assignment of "Discreet, foldaway desks for small spaces". I first searched within Pinterest for products, following links back to the seller or manufacturer and repinned to my board. I then, over the course of several days, searched the web and pinned items I liked. Since all pins go back to the page where the item was pinned from, I can easily transfer the links to the Word doc I write the article in. I may end up pinning more items than make the article, but I end up with a selection to choose the best from.  You can click the image below to see the article in full.





I've also found Pinterest incredibly useful when working with clients. I am currently working with a woman who is planning the opening of a yarn shop. She came to me to help create a space that is not the typical old musty yarn shop that is common in our area.  I gathered ideas for her to view and comment on in two different boards. One was on an Industrial Chic theme and the other a softer more White Washed look that will still clean and simple. Both can be achieved on a tight budget with some elbow grease, which is what she was looking for. As we emailed back and forth, I pinned new images and rearranged things until we came settled on the Industrial Chic/Natural look with splashes of a warm orange. I then created a new board, seen above, that pulled in all the ideas into this one design inspiration board. It includes images of other offices or stores, plus products. I also uploaded my digital renderings of her space so she had one place to go to see everything. This has really fast tracked the design process - both on the inspiration end and on the communications end. Of course, since she's still not "announced" the shop opening, I am not sharing names or locations, but it begins the pre-publicity for her as well as promotes my work as a designer. I was able to do both by including this in my recent newsletter to my mailing list as well.

I created a branded digital design board which went to the client and also showcased in my recent newsletter. Since many on my mailing list are local, this sets the stage for her store opening announcement. Cross promotion is the name of the game here. Of course, all of this was done with permission from my client and I would never have shared so much of the concept without that permission. I'd love for Pinterest to offer the option of a "private" board, even if this were a pay feature. I've been creating these on my own website for clients for several years, but it's time consuming to create and update. I'd pay to have the ease of Pinterest in a private setting. As of yet, this is not a feature, but I would bet that it will happen in the future.


 As a designer, I want to get my name and work out in front of as many people as I can - after all, why else do we as business professionals put so much time and effort into social media? I wondered if other designers pinned their own portfolio images into their boards on Pinterest and tweeted the question out. I received only one response (hello, I have nearly 3,800 followers and 1 response?) from someone who said they were not a designer, but would certainly do it if they were. I decided that it made sense to post my own images and get them out in the viral world. But of course, they need to come back to me as well by virtue of viewers knowing whose work is in the image. I decided to re-upload the images in my portfolio with my website watermarked in the bottom corner and then pinned the images into a board called "Linda Merrill Portfolio".

A nice feature of Pinterest is that the source website with a direct link is attached to each pin and travels with the image as long as it's repinned within Pinterest. You will see in the image above the link near the top: www.chameleon-interiors.com (my original business name that sticks to me like glue!) and will go directly to my website page featuring the image. You will also see my URL in the bottom right hand corner of the image. If this image ends up on a blog or some other site outside of Pinterest and the user doesn't properly link or credit the image, it's still branded as mine. Although it's not shown above, I also list my photographer Michael J. Lee with a link to his website in the description field. These links become live automatically which is a nice feature.

 You will notice that the two images above are of the same kitchen, but staged differently. The color rendering is a bit different too. (On a side note, this is a good lesson about viewing colors on a computer - same kitchen, same photographer, slightly different color result). The second image was shot for a feature story in Country Living Magazine, which you will notice is the link listed in the above. I went back and forth about watermarking this image as well, but since it's not mine, it's technically the magazine's (where I pinned it from) and Michael's, I decided not to. You will also notice where I credit Michael in the notes section. In less than a day, all but two of my images have been pinned onto other boards. I've also seen a significant upswing in hits to my website from Pinterest. Pretty good early results I'd say.

I know this has been a long post, but I do want to say something about the nature of photo rights and the attribution of work shown in interiors photos. Once upon a time, a photographer was hired to shoot a designer's work. Photographers retained the rights to the images and licensed them to the designer or publication for their use. These image licenses could be simple or complex, involve cash payments, or not. But it was fairly straight forward. With the advent and growth of the internet, the ability for any of us to swipe an image to use in any way we want to is made easy. But just because it's easy doesn't make it right. Designer's work hard and would like to receive proper credit for work well done. Photographer's work hard and would also like to be credited, if not paid a license fee, for their work.  But for the most part, neither party has much power over the swipe and distribute nature of websites, blogs, Tumblr and yes, even Pinterest. It's too prolific. But that said, law suits, especially in the form of a class action suit, is not out of the question and large websites such as Pinterest and others will need to be working on how to limit the uncredited distribution of images.


This was apparently an issue that came up at the recent Alt Summit that I picked on up in a tweet from Grace Bonney.

In the meantime, if you're a blogger and use images that are not your own, please make sure to credit the image as best as you can WITH A LINK back to your source. It's being noted that many bloggers are merely saying "Via Pinterest" with or without a link and if there is a link, it's to Pinterest's main page, not the source page of the image. This is wrong and unfair to the person responsible for the work you must admire enough to use on your site. This holds true if you use images from a magazine or other online source. It's not enough to say "House Beautiful", you should be linking directly to the page on the HB site where the image came from. You should also be listing the designer and photographer where you can. But at minimum, a link should be made to the page, because that information will be there for anyone who wants to find it. And if you're pinning to Pinterest, try to drill down to find the source of the image and pin the image from its source. This means if you see a beautiful image on a blog and it references Traditional Home or Architectural Digest with a link, then click on that link and pin the image from the original source. It usually only takes a few extra seconds, but that simple act shows your support of the people behind the image.

If you're a designer or architect, you should absolutely be watermarking your portfolio images. Why let your work float around the internet without attribution? It may happen anyway, but there is no need to help the matter along. Watermarking an image simply means that you add type to the image with your name, or URL or some identifying information. It can be discreet so as not to interfere with the image, but it's important nonetheless. You can do this using Photoshop, Photoshop Elements or the latest version of Preview on Macintosh computers. You can also use Picnik which is currently a free web based program. You upload your image, add the text and save back to your computer. Picnik is part of Google and will become part of their account based family of offerings within a few months. But for now it's free.  My photographer Michael just wrote an excellent post about the subject of pinning and watermarking as well, which you can read here.

And finally (I know, finally!) here is a link to an article on Likeable.com which lists the brands who are very adept at harnessing the power of Pinterest to further their marketing goals, including High Point Market, Matchbook Magazine and Mod Cloth.


A final word about using Pinterest. If you're on a diet, do not go on after 9PM in the evenings. More often than not, your screen will be flooded with delicious looking images of sweet and savory delights. Torture.

Sorry for the long post!


If you would like my help on your design project, I would love to chat with you! Please email me. Thanks! Subscribe to ::Surroundings::

Monday, January 23, 2012

Get That Look: Downton Abbey and the Outdoor Life




One of the loveliest parts of all the period British dramas is the depiction of the outdoor life of the British noble and gentry classes.  Certainly, the Brits are known for their love and expertise at gardening, riding and hunting and the exquisite lawn parties filled with ladies and gentlemen dressed in white enjoying simpler pursuits. I thought in this weeks post on Downton Abbey, I'd focus on the outdoor pursuits of the Crawley's and their friends.


The Cora, Countess of Grantham (played by Elizabeth McGovern) takes tea on the lawn of the estate with her mother-in-law mother-in-law, the Dowager Countess (Dame Maggie Smith)
From this view, we can see just how far away from the big house their little tea time is. Which was likely a fair burden on the serving staff who had to shlep all the furniture out side (no Sunbrella then!) as well as the full tea service, including still hot tea. One has to assume, however, that these were some of the few times the ladies could chat in complete privacy.




Outdoor sports such as riding and hunting have historically been very important aspects of British country life. This is one of the iconic images from the series featuring Lady Mary Crawley (played by Michele Dockery) getting ready to ride out. Although riding in full dress, with corset, and side-saddle to boot must have been incredibly uncomfortable, it sure looked pretty! 

The Crawley family, and friends, go shooting on a chilly autumn day. The dress is decidedly less formal than Mary's riding habit above, but dashing in its own way. 

Of course, thrashing about in the bramble after the dogs must give one a hearty appetite. And once again, the servants are tasked with serving a meal in an out of the way location such as the barn. Romantic looking, though, isn't it?


Countess Cora, recovering after losing her baby in the last episode of Season 1, stays warm and out of the way at their annual garden party.

Middle daughter Lady Edith Crawley (played by Laura Carmichael) watches her suitor as he leaves without proposing (oh that scheming Lady Mary!) in front of the picnic tent that is filled with skirted tables, folding chairs and flowers. An interesting note is that the dress Lady Edith is wearing is purportedly a rented costume that was previously worn in Merchant & Ivory's Room With A View starring Helena Bonham-Carter. I actually scrolled through Room to see if I could spot it, but could not. The time periods and thus the dress styles were so different between the turn of the century Room and late-Edwardian era Downton (in this scene). Possibly it was used as an under dress or its scene was edited out. Or I could have missed it.

Here we have a sky shot of the grounds at Highclere Castle, setting for Downton Abbey. Interestingly, the current Lady Carnavon of Highclere has been re-building these gardens from scratch and the cast and crew have not been allowed to go in them. One wonders if this is a bonus of the funds earned from the rental on the property to the production. If so, it's a great use of the money!


Additional links for Downton Abbey:
  •   Visit my Downton Abbey Country Living Board on Pinterest for additional images, links and credits for all of the above above.
  • Roger Ebert of the Chicago Sun Times relates to Carson the Butler.
  • Claudia Juestel from The Adeeni Blog is inspired by Downton Abbey and has a great post about the show, including beautiful large photos from the show and other similar manor homes. 
  •  Styleture blog offers a great collection of Downton inspired bathroom fixtures
  • WNET Channel 13 in New York offers their Downton Dish - which is truly hysterical.
  • The "fabulous and opinionated" Tom + Lorenzo maintain weekly recaps of the series, which are not to be missed, especially if you have missed any episodes! 
  • Vic over at Jane Austen's World has a fantastic recap of the newly aired "Secrets of the Manor House" which goes into the societal changes leading up to and influenced by the first world war. For some reason, this hasn't aired on WGBH/Boston (hello @masterpiecepbs - care to respond to my tweet??) but I did see a ten minute portion of it, and it looks like a perfect companion piece to the series. Can't wait to see it. (WGBH - are you listening? Don't make me come up there!)
If you've seen a great post on Downton Abbey, or are covering the show yourself, please be sure to leave a link in the comments, or email me, so I can add it to next week's post.

If you would like my help on your design project, I would love to chat with you! Please email me. Thanks! Subscribe to ::Surroundings::

Friday, January 20, 2012

Dear Guggenheim Museum, Can you tell me what that color is?




The Guggenheim Museum in New York has partnered with Fine Paints of Europe on two unique collections of paint colors. Apparently, it's not only Pottery Barn who gets calls of "What color is that?" After years of fielding that type of inquiry, the folks at the museum decided to do something about it.

Each time the Guggenheim mounts an exhibition it embarks on an elaborate design process to plan the gallery ambiance. Wall color is often used to convey a particular time, place, or culture, and must highlight the works of art without competing with them. The choice of wall color can influence how a museum visitor experiences the artworks, so this process is crucial to the presentation. Guggenheim Gallery Colors includes the original colors chosen for the museum by Frank Lloyd Wright, as well as colors preferred by generations of curators and living artists. [source]




The Classical Colors Collection is a collection of 150 paint colors that recreate the color palettes of artists such as Paul Cézanne, Vincent van Gogh, and Vasily Kandinsky. Each color was carefully chosen from paintings in the Guggenheim collection and matched by Fine Paints of Europe.





The Gallery Colors Collection includes 50 original colors chosen for the museum by Frank Lloyd Wright, as well as gallery colors preferred by curators and living artists for decades. The choice of wall color in a gallery can influence how we experience works of art.  Learn more about the Gallery Color Collection here.



Installation view from Villhem Hammershøi, Solomon R. Guggenheim Museum, New York, June 19-September 7, 1998. Photograph by David Heald©The Solomon R. Guggenheim Foundation, New York.


Installation view from Foto: Modernity in Central Europe, 1918-1945, Solomon R. Guggenheim Museum, New York, October 12, 2007- January 13, 2008. Photograph by David Heald©The Solomon R. Guggenheim Foundation, New York.


Installation view from The Aztec Empire, Solomon R. Guggenheim Museum, New York, October 15, 2004-February 13, 2005. Photograph by David Heald©The Solomon R. Guggenheim Foundation, New York.


I have the fan deck for the Classic Colors collection and the colors are really beautiful. They have an earthy muted look that is both modern and classic.  I look forward to using one of these paints soon!
 Check out the websites listed above as there are some very interesting videos about the use of paints, how they are chose to display art and how the paint colors can affect our experience of art.

If you would like my help on your design project, I would love to chat with you! Please email me. Thanks! Subscribe to ::Surroundings::

Thursday, January 19, 2012

The Alpha Workshops for Thibaut

I've been organizing my home office and sewing room and came across a packet of wallpaper samples from Thibaut that I picked up at last fall's Market Week at the Boston Design Center. Oy, sometimes, things do get buried, don't they?

Anyway, the wallpaper samples are from Thibaut's newly released papers made in conjunction with The Alpha Workshops called Artisan. The papers, and the story behind them, are pretty fantastic.

[via Thibaut's website] Founded in 1995, The Alpha Workshops is the only not-for-profit organization in the country that trains and employs people who are living with HIV/AIDS in the decorative arts. The Alpha Workshops has been an industy pioneer, developing a unique training curriculum within a flexible setting and providing a supportive workplace that is responsive to the medical, financial and emotional needs of people living with chronic illness.

Decorative arts classes are taught at The Alpha Workshops studio School, which is licensed by the New York State Department of Education. The Alpha Workshops also runs a highly regarded design studio, staffed completely by artisans who have graduated from the school's advanced program. The studios are well-known for hand-painted wallpapers, on-site custom painting and venetian plaster, decorative finishes, gilding, hand-cast lamps and site-specific artwork.

The collaboration between Thibaut and Alpha utilizes the best talents of both companies to create Artisan, a bold and inspiring new wallpaper collection. For Thibaut, the license with Alpha presented an opportunity to work hand-in-hand with the creators of Alpha's designs to shape their new interpretation. The artisans of Alpha recognized that in Thibaut, they had a partner who could skillfuly capture the handmade quality of their designs and translate them into a widely available product. The result is a beautiful group of papers that reflects the best of both The Alpha Workshops and Thibaut.

For more information about The Alpha Workshops, please visti www.alphaworkshops.org 
Their website is currently under construction, however, you can still view more info at their About Us page here.

Here are the sample papers we were given. The papers in the images (via Thibaut) are not all the same colorway as the samples I have on hand, so I'm showing both.


Maryse 












Each of the papers has a unique texture and feel to them. The Maryse, for example, is a smooth paper with a stried ground and overlaid block print metallic pattern. The Ginkgo is a thick pressed paper with a block print. The Verre Eglomisé, mimics the look of real eglomisé, which is glass that has been painted on the reverse side. The Reverie has the look of a rand, hand stamped pattern and La Gioconda has a soft, romantic quality to the print.

Royalties from the sale of Alpha Workshops for Thibaut patterns will directly support Alpha’s training and employment programs. 



If you would like my help on your design project, I would love to chat with you! Please email me. Thanks! Subscribe to ::Surroundings::